An act of Love,
To Mom and Dad.
To mankind.
Introduction
Cire perdue: “lost wax” of “precision casting”, is the process used in metal casting that consists of making a wax model as of a statuette, casting it with a refractory (as clay) to form a mold, heating until the wax melts and runs out of small holes left in the mold and then, pouring metal into the space left vacant.
There is not much to say for women in the world today; with the simple reasoning that we must all be in the business of speaking for ourselves. I have always entertained the security and pure authorship that my own thoughts provide, over my own discretion to being warned of danger without tasting it for myself, wondering if there was a direct lineage to me and the Amazonians whose brief hegemony described my heart with such ferocity it may as well be labeled on my right breast. That I would give up my sole expected purpose in society to discover the vulnerable, influential being that exists here today, one I never imagined I would meet is a blessing.
I belong to her in the off-chance that I escape the need to belong, there is still a sense of denial born of the pain of this shallow, albeit agreed upon unilateral experience. I write despite it. I fictionalize her while on my drum set, and I beat on things like thunder does the earth: ideas, images, social constructs, music, and pain, and when I’m making noise, I picture waves rising up through me, pounding these debilitating notions into the ground. It’s not always gentle; it’s not always pure, and yet, I find my very ambition reflected in nature’s plight to simply exist, on drums, behind the pen, behind the ritual of it all; it’s this dance of ritual and nature, history and femininity and this love for creating that allows me to continue to support life despite its appearance of being manipulated or coerced by man. I feel these illustrations as deep meditations within my spirit, and then I become the seer you see.
It’s an absolute honor to share this work with you. Let its wings soar into the heart where it feels empty. Let it wander through any singular experience you have and expand it lovingly, the way I inhaled perspective like fresh mountain air and feeling like rain.
Rituals of Forgiveness
Ornaments/Girl’s Guide to Drumming
If you want to make the big bucks
You’ve got to shake a leg,
Break a leg I mean
Am I being too demeaning?
A day in the life of a female
Like it’s my life’s goal
For you to take me seriously,
But shouldn’t it be
The other way around.
First you’ve got to clean houses,
Sweep up floors,
Clean off puke and ashes
From college dorm rooms.
Sell a foreign language
Or a common tongue
That cuts culture out of everything
Like bread and line-dancing.
Sell crawfish
Or the idea that their going extinct
Or their habitat is,
But that’s beyond the point.
Then you’ve got to practice slamming,
Pretty much slamming anything.
Slamming doors shut on your childhood,
Slamming bones into iron
To get your muscles back into place,
Your spine upright,
After it got ripped out by life.
Slamming poets,
Slamming rhymes,
Claquant des couteaux à travers la pommes
And you get home
And crash into a comma
Of forgetfulness and Netflix,
And hope you have the strength
To remember tomorrow, the same question
You’ll be asked for eternity:
Who are you?
Like you don’t have to be that bitch
From high school anymore
Or the one who has it in with Shiva
And maybe you actually can save a live this time
Just not your lovable delinquent dog’s
Or his hot nose on your skin
Sinking in like good ole fashioned solitude
Unless you tattoo him on your arm
On the beach in Tulum
But your body remembers you too
It reminds you of you,
And all the acts you need to perform
To save your own life
And mostly it involves your hands,
Your mind,
And your heart
In that order
Bronze and copper and mahogany
Slamming them together
With wooden weapons
Twirling around my wrists,
My mind,
Like a charm
Hanging off of an arm
An ornament in a tree,
A shiny surface polished up
Placed on a chain,
Untouched by this broken society
Or its basic properties
Wood, grain, and metal
Made into weapons
the splintering of which
Is hitting the stick
In a right way.
In a way that it makes a sound
That softens the rest
Crashing through cymbals
Like holy relics of reason
That complicate the primal tone
But they do something for our needs
To advance the noise
Isn’t being weird just being happy beyond reason?
To feel connected on a deeper level,
Drive symbols
To our brain
To make our bodies move
The way we’re advancing
Forever dancing,
Chola Nataraja
Forever dancing
This is the movement of my ancestors
This is their words
Through my artifacts
All of the ways
I’ve collected their love
Can be seen in my hips and wrists
In my footwork or lack thereof
As I dance through the fires
Of doubt and illusion
Like Shiva
Like the distinct sound
Between war and religion
Art and culture
Love and illusion
Is the snare drum
Circling around
One central beat.
Time Spent
Time spent something on you
When the stars applauded,
And kissed your breath with magnetism.
They shook for you to shake the world
Beyond the gaze of judgment
Where we all cheer too.
For time spent something on you.
It rose and tipped the glass,
Clinking rims,
To the man in a pig’s mask
A cast of cadets
Smirking
Swirling around
The aftertaste
In midnight skies.
Where we meet each time
And walk along the winding.
Touching hands to withstand
The mask of illusion,
The blinding guise
That makes Wonder Woman
So worthy of the title,
Makes Lady Liberty the point
Of which to place the crown,
And the torch burns through the night
For those eager to lift it.
Sharing dreams of the sun
They are testaments, they are blessings
In the sleeping of our waking minds,
It passes with a blinking eye.
All we are is a star
Tossed into orbit upon the scene
Venturing into blinding darkness,
Through the binding of nature,
Of our own axial groove.
Departing, arriving
Into paternity.
Dancing in divine rhythm
Through sips of heavy bottles,
Dips in ugly lakes,
Made pretty with fungus.
Time spent something on us.
And it reminds me of me.
This body of water,
This being –
And those who bow to the masked,
The disguised eyes of discontent.
Who sit atop the chariot,
Carrying a gilded blade.
Puncturing holes
To ensure a greater virtue
For what is bound to swallow itself whole
“Pretend not to be pure,
Pig-faced heretics.”
Slowly flowing through,
Drifting to only cling on
No rhythm without rhyme.
No fulfillment without wonder.
….So why do we hear?
Écoute pour la calme,
Then jump off
Waste not a single breath
On what lack luster time doesn’t muster
The echo, the song,
The silent observation,
The calibration of our engine’s parts.
A mark,
Often met,
Made by bleeding palms.
Bound, yet freed of looking out,
Freed of wanting more.
Stains we must remove,
But time spent something on you,
It gave you a choice.
Greater than the great divide,
It is a ride through roads with no signs.
But you see smoke from the fire.
Or the dust in my eyes,
That says to stay inside.
Part II
We must be near the fear again.
Hurry, put out that cigarette,
And take my hand.
You’ve got to bang to feel the beat.
A drum is but a heart in heat.
Opening, closing.
With valves that pump
For the steering
Time spent something on Earth.
But even she is not so soft
Nor so fine,
Yet we drink the wine.
And sound the lightning
That brings only more
Depth to the night
Like one sickened by love.
Expecting nothing less
Than to be stricken,
And molded into glass.
Drank up, sipped down,
And banged on,
Broken or emptied.
Plein d’eau
Et plein de notre vœu
Il détient en elle une seule rose
Et laisse des traces de pédals tombés.
What a gruesome prick,
Pain’s sender,
No longer real or tender.
I came only to be stricken,
And made into pools of clay.
To be the meaning behind the mold.
The pulsing of the ocean,
Beyond the notion
Of “what if”
Or is to be.
Time spent something on me.
It built for me a rosary
And asked of me to be the prayer.
The Tremble of Vigor
I could do it, you know,
I could hover atop the sky
Fumbling over falsehoods
And bow to your buckled knees
Surrender-
Like an eagle on a white flag
I could, but I won’t
Make pebbles of light dance
Around my ass like Ariel
Flop along the banks
In an attempt to sink my skin
Into one of those men-
These pirates
But I’ve played all my pawns
For sake of making a cheap jump
Why torture?
When the wind is sent
To dance like an echo.
The trees sent to bury their breeze,
And whisper to me sweetly
In songs and roars
In gusts and frozen symbols
Blended together
Like friction
But there’s not much of that down there
Longing for the ocean,
A witness to the shift of agility,
The tremble of vigor
Missing your parts.
Arose from the coals
Of the heart,
A song so absolute.
Beneath rays,
Signifying tales of the sojourn
Tempting me to return
Circling around the same gilded core
And where is their origin?
From breath like lightning?
From worn and crippled bones
Like worked out wheels
That grip the pavement
That’s all friction is good for-
Trading in my fin for original sin.
Like shame longing
For the dust from which it came
Like eyes that avert
From the shameless-
If I were a cloud in your sky,
I might cry for your eyes,
Weep and sink alongside
To dust and pain,
The waking eyes of love,
Bury me again.
Part II
Like I tipped the clinking rim,
And got drunk off the wine,
Like I woke up in a coffin,
And I can’t quite recall
The letters or language.
But the face of love remains
Like a mirage,
Resting above me,
Like the heart of the sun
Awaiting my return to its dream.
Like ancient recollections
We piece together smiles
Of things that christen our memory
To make love a blistering cold,
To avert the madness of pain
And the blinded life.
To wake from a place
So nightmarish
And find in my chest,
A freeing breath.
Turning Pink
Suddenly I chew at my tastes for you,
Like red meat
Stewing over the misery
But as soon as it hits your lips,
I swallow it like the pain of existence
And shudder-
That the fears of life are inside.
And there is quite possibly no way
Of getting out,
Only getting through.
I’d melt,
And shudder-
Man, if I could linger in this last bite
While glancing up long enough
I’d be full forever
Or I’d feel full
Full of life
Suddenly I chew at the taste of you,
Like stew melting my lining,
Like pain does to crying eyes,
Then enters my insides
Through the bone,
To the porous rock below.
I burn-
But not for my desires
Although they too contain a rigid grip
On the shovel that digs me under,
Drops me in the center
And pats the earth around my shut eyes,
Like the fears that clutch my tongue
Or the love that rests lays far beyond my bones,
In a place where I truly reside.
For if my soul is not the supplier
Of this merciful love,
Where shall I return this dust?
Where the frayed song of the soul
Dances me to sleep?
Through the hearts of the holy,
Caressing their infinite seas
With night skies, turning pink.
Like the torn old red sheets
That frame my bed
Because I like the feeling.
How can I deny its reach?
When in cherishing its sentiments,
I am surrounded
By the bellowing wind,
The raucous shore,
Or the arms of a friend
Holding tightly my weeping shoulders.
Patting down the woes around me.
I could bury my fears there,
In yesterday’s ignorance.
Like the day you departed from my mind.
But both the world too is made of water,
And carbon,
And even the dead return
To avenge their fallen,
Speaking to us of courage
Through the language of love.
Rapture
A shame isn’t it.
How you pierce me
Puncture my forces
Bruise up the party
With your eyes like sirens,
Your gaze like a wide wound
Like the halo of the moon.
Lips made for biting,
Tearing the crisp right off of an apple
And offering me half.
I’d eat it too
If I knew I wasn’t next.
I’m sitting here,
Slathering in the shapes
You put me in-
Dripping in gravy
Like white, whiny shame.
Chasing the flame,
I picture you
And call out closely,
A name for my reason
As I’m fumbling to locate
The parameters
Of your manners,
The means to your distinction,
Lies in the undressing me
With your eyes.
Temptation is a blanket
Between myself and the dream
And your piercing gaze.
It cloaks the dust of us,
In a fatal frame
An unsafe place for secrets
Safe not for even my own mind
But our bodies seem boundless
To unfold them.
To whisper in the corner of the room,
Hearts heavy with manic lust,
Beneath my weeping womb
Like a justly guarded drug
And I between the bars.
I smile a mild decipher,
And yours
Like a cradle to the sirens,
Setting the insatiable blanket ablaze.
And I’m wondering if people cum
In the same way
That they erupt upon the scene.
But I’d have to seduce
Everyone in this room,
Move them into me.
Taste from the apple
The bitterness of their seed
And sour fruit.
But I’m just dust,
Chasing the flame,
Might bruise my skin,
Torture my complexion.
And slowly I will surround the ground
Who could take and recreate me,
The way the moon ejects a ring
Like a halo.
Better that I turn a curse inward,
Sop like a wet rug in a boys room,
Make meditation my thing
Like none of you hippies have ever seen
To sharpen my gaze,
My backwards tongue
Like ebonics
Like innocence, if only for tonight
To end it would bring life,
The casualty of the human mind.
Like craving the taste of sugar cane
The crispness of my vigor
Sent off in sight of you,
Yet you know it too to be a bitter fable,
Like the sorrowful sweetness of death
Penetrates me like a wound,
Like my last name
Or white whiney shame
To turn itself back into life,
Back into the core that redefines my memory,
That stretches outward to the existence of time
And in an hour,
We’ll be even more damaged.
Flung from the grace of gravity
To rely on the heat
Of our beating hearts for breath
Like desires are what hold our place in line,
And seize the gifts of life
Like the stars were truly reachable
Through the canopies, the leaves
That seem to have always harbored
Only the sweet memory of decay,
Or a door slammed shut.
But, whatever you prefer.
What’s on the agenda?
I’m like a serpent
And I like them live.
I like to romanticize
I’m fit only for my own mockeries,
And love,
I’m fit for love.
And the woes of the loveless.
Like holy megaphones.
Like a quilted blanket,
Caressing my fate.
In waves of churning teal.
I’m fit for the quakes of the heart
Falling upon my cheeks,
Shaking my lips like fallen petals.
To wrap its golden mockeries
Around me,
With ease and lace.
To touch, to taste it
Like a lantern,
Like my mother’s arms
Or the tides that skim the storm.
La rose qui fleurit éternellement
La son de ma création
A cause de votre amour
But you pay to hear the roar
Of nature calling out to you
In the wind and banging thunder,
In choruses of bells and laughter.
“Yours a simple gift.”
Undress me so
Upon the shore of the heart
That I might melt into her like candle wax,
Sunlit like its creation.
“To bring light into the hearts of men.
Who might melt into your core
Fall upon the shore of your heart
Like it held the keys to the world
And man, a hammer on heaven’s door.”
Fallen Petals
Might you take my hand,
Into the deepest canyon?
And trek through the cobwebs,
Trough the callous debris of time.
Murmuring sounds of love and lust
Like a venom,
Might we burn as lanterns
Of the holy night
And smile at the shedding
Of falling petals.
Decorate the void with our useless desires,
Like lamps with tapered fringe
And years of laughter,
Ravenous laughter
And tears that soak like dew,
Comme des matins dans la sud
Left at exiting the sojourn.
A long walk into the frost,
A stomp, a rattle, a run towards the sun,
Fostering the warmth alone
That my mind had measured
Like a wrist watch
Fingers pressing digits
That light up red with excitement
Testing the temperature of the spine
Like outlets on a mantle.
All the better to be touched,
Tasted like a lantern,
Kissed upon the walls
Of my encryption.
Told like a fable,
A frown.
Featured,
Like an image
Of falling petals.
Like a desperate plea
To sew fertility
In waves of thread and lace.
Pity that the leaves
Leave no trace,
No love.
Nor carry the scent of you
Like a rose does.
Calling out so
S t r o n g l y,
To remain.
Part II
Like a canyon crying turquoise skies,
I bare the tapered edge of time.
But even in your absence,
My memory wishes
To make use of your craftsmanship.