Бесплатный фрагмент - English for Photographers

This book is dedicated to Zhenia Sudakova

An enquiring student

A talented photographer

And a dear friend

FOREWORD

English for Photographers is an opportunity to communicate with like-minded people on topics related to photos and videos.

This course is intended for those who already have some experience in practicing English (pre-intermediate, intermediate), can read and write simple texts and express their thoughts and opinions on issues not related to photography and videography.

You will practice in writing your biography and CV, working with clients, describing images and videos, as well as corresponding and taking part in discussions on a wide range of professional topics.

UNIT 1.
PROFESSIONAL TERMINOLOGY

General terms

1. Label the pictures with the words and expressions.

a. a photograph/a photo/a picture
b. a photographer
c. a cameraperson/a camera operator
d. to photograph/to take photos/to get a shot
e. a crew/a film crew
f. to edit/to retouch a photo
g. to crop a photo
h. a photoshoot

2. Match the words and expressions to their Russian equivalents.

1. a film reel                  a. черновой материал

2. a location                  b. отснятый материал

3. a rough cut                c. катушка с плёнкой

4. a shooting day          d. отредактированная версия

5. an edit                       e. место съёмки

6. footage                      f. съёмочный день

Equipment and its components

The most popular types of cameras

DSLR (or digital single lens reflex) cameras take photos to the next level of image quality. This more «serious» type of camera is best known for delivering remarkably sharp and spectacular images, with beautiful background bokeh, and even high resolution videos with the help of their advanced sensors, manual settings, and wide range of interchangeable lenses.
Today, professional photographers and videographers from around the world mostly use DSLRs (now alternatively known as hybrid single reflex lens cameras or HDSLR) for commercial purposes. While they are considered high-end, there are more affordable entry-level DSLRs for beginners. They are suitable for almost every kind of photography out there, so literally anyone — from hobbyists to event and sports photographers — can opt for this type of camera.

Pros:

Fully customizable settings

Large sensors for cleaner images

Optical viewfinder

High-resolution photo output

Full HD to UHD video output

Wide variety of camera body and lens choices

Cons:

Bigger and bulkier

Higher cost

Requires ample know-how

Mirrorless cameras are basically more compact DSLRs without the internal mirror that reflects light onto the sensor.
What’s interesting about mirrorless cameras is that they are now capable of capturing incredible, high-resolution images with even faster shutter speeds and record ultra HD videos that only the most expensive, higher-end DSLRs can produce.
The main reason why many still prefer DSLRs, however, is that they have access to a bigger collection of lenses. However, mirrorless cameras are great investments considering their growing collection of lenses.
Overall, it’s a combination of two popular types of digital cameras — a point-and-shoot for its compact size and somewhat simpler controls, and a DSLR for its interchangeable lenses and impressive output.

Pros:

Electronic viewfinder

Smaller and lighter

Simpler operation and controls

Faster and better for video

Higher video quality even in lower-end models

Shoots more images at faster shutter speeds

Cons:

Shorter battery life

Slower autofocus

Fewer lenses and accessories

Compact digital cameras literally allow anyone to capture beautiful images by simply pointing the camera at the subject and clicking the shutter. Also known as a point-and-shoot camera, it is the most user-friendly of all camera types. It is smaller and lighter, doesn’t require film or extra lenses, and does all the hard work of automatically adjusting its settings to deliver well-exposed photos every time. You won’t have the freedom of adjusting the settings to your liking, but with a good artistic eye and a knack for composition, you should have no problem producing great photos.
This walk-around digital camera is incredibly handy and surprisingly very durable, which is why you’ll probably still see people using their digital compact cameras from over a decade ago. It fits right in your pocket or a small camera pouch, so it’s the perfect choice for photography enthusiasts who want to have the convenience of being able to take higher resolution snapshots (compared to most smartphone cameras) whenever, wherever.

Pros:

Very user-friendly

Light and compact

No need for film or extra lenses

Full auto mode

More affordable

Cons:

Usually can’t customize shutter speed and aperture

Limited aperture and zoom range

Noisier photos due to small sensor

Lower resolution

Slower focus

Common action cameras like the GoPro can fit in the palm of your hand, but they’re some of the most durable and versatile types of digital cameras that offer very high-resolution output. A wide range of accessories like waterproof housing and mounts allow the user to attach action cameras to helmets, bicycles, and even drones, which enable hands-free shooting in different types of situations. This opens up a whole new world of photographic possibilities, as this type of camera allows you to capture impressive wide-angle photos and videos with sound from almost any angle and environment, whether underwater or on top of a mountain. If you’re the adventurous or sporty type and simply want to take breathtaking photos and videos that will «take you back» to those moments, action cameras are for you.

Pros:

Rugged and compact

Lightweight

Versatile and mountable on almost any surface

Remote view and shutter via smartphone

Cons:

Viewfinder too small, if available

Exposure settings not fully customizable

Fixed focus

Limited digital zoom

The 360-degree camera takes half dome to full-circle panoramic photos and videos using back-to-back lenses. Like action cameras, some of them are also water resistant and mountable on many surfaces, such as on top of cars, helmets, or drones. Above all, they take the most realistic pictures and videos with stunning panoramic views that you can truly immerse yourself in, virtual reality style. It’s a very good camera choice for taking vacation photos that you can proudly show off to your loved ones and on social media. After all, we still can’t get enough of the Streetview-style photography and videography. However, because of its non-traditional output, images cannot be printed unless they are cropped as a rectangular panoramic frame.
It can also be a challenge to produce perfect panoramic shots because a lot can go wrong with the image stitching and composition (especially since it’s hard to hide the camera director in the shots). But when it works, the results can be truly exceptional. While mostly geared toward hobbyists, professional photographers can also benefit from this type of camera if they wish to create highly unique, immersive digital photos that allow them to capture a certain scene from all angles.

Pros:

Small and lightweight

Versatile and mountable on almost any surface

Takes very realistic 360-degree photos and videos

Allows live view or streaming

Cons:

Lower resolution output

Sensitive to camera shake and blurring

Fixed focus

Can be challenging to frame shots

For digital viewing only

Film cameras may seem outdated in our new digital world, but they are by no means obsolete. Today’s film cameras provide more artistic output than ever before. Much to the delight of film photography enthusiasts, there are still classic film cameras being sold today with improved bodies and enhanced capabilities. The younger generation has learned to love film cameras, thanks to the birth of instant and lomography cameras, which produces (and sometimes prints out) vintage-style photos with vignettes with every click of the shutter. Rangefinder cameras, which manually measure subject distance, have been improved while retaining the vintage body and analog settings.
Medium format film cameras provide an even bigger surface frame and is widely-used by gallery artists for its capability to develop huge prints without losing image quality and to capture natural-looking, wide-angle shots as our eyes actually see them in the real world. Film cameras obviously require more hard work in achieving your desired images, but they are loved for their unmatched ability to produce gorgeous, artistic photos that are great for galleries and photo albums.

Pros:

Image resolution and size (for medium and large format)

Beautiful, artistic photos

Vintage-looking hardware

Cheap, good quality lenses

Cons:

Analog settings

Expensive and recurring film cost

No internal light meter

Risk of parallax, focus, and exposure errors

3. Answer the questions.

1. What is the best camera for photography, to your mind?

2. What camera (s) do you use? Describe it (them) using the words from the text.

3. What is your dream camera? Why?

4. Match English and Russian terms.

1. a digital single-lens reflex camera (DSLR)

2. a mirrorless interchangeable-lens camera (MILC)

3. a single-lens reflex camera (SLR)

4. a twin-lens reflex camera (TLR)

a. двухобъективный зеркальный фотоаппарат

b. однообъективный фотоаппарат

c. цифровой однообъективный зеркальный фотоаппарат

d. беззеркальная камера со сменными объективами

Types of lenses

There are two basic categories of camera lenses:
Prime lenses
Primes have a fixed lens focal length, making them faster and sharper. While prime lenses are less flexible due to the fixed focal length, they are also fast and lightweight, making them easy to travel with.
Zoom lenses
Zooms use a series of lenses to allow different focal lengths from a single lens, making them more flexible but not as fast. They contain more glass, which aids in their flexibility, but they also tend to be bigger and heavier than prime lenses.

Within both prime and zoom types of lenses, there are a variety of lenses, all with different focal lengths.
1. Macro Lenses
This type of camera lens is used to create very close-up, macro photographs. They have a unique design that allows them to produce sharp images at extremely close range. These lenses are great for nature photography, enabling you to capture an enormous amount of detail in one image.
2. Telephoto Lenses
Telephoto lenses are a type of zoom lens with multiple focal points. These types of lenses are great for isolating a subject that is far away. However, such great magnification comes at the price of a narrower field of view. In the same way that you would use a telescope to look at stars and planets, a telephoto lens is used for focusing in on distant objects. Many sports photographers use telephoto lenses to provide a sense of intimacy with the subjects on the field (the players) while standing on the sidelines or in the bleachers. There are many different types of telephoto lenses, and some can be quite large, heavy, and expensive, so take some time in choosing the right telephoto lens.
3. Wide Angle Lenses
Wide angle lenses are ideal for fitting a large area into your frame. This is especially useful for landscape photography or street photography. With wide angle lenses, almost everything is in focus, unless your subject is very close to the lens.
4. Standard Lenses
Standard lenses can be used for a variety of different types of photography. Their focal lengths fall somewhere in the middle, usually between 35mm and 85mm. A zoom lens within this range will have a small enough focal length at the bottom end to take a wider angle, full-frame photo, and a large enough focal length at the top end to zoom in on subjects.
5. Specialty Lenses
Finally, there are some more specialized camera lenses that can impart a unique look and feel to your photographs. There are several types of specialty camera lenses, but a few of the most prominent examples are:

— fisheye lens
A fisheye lens is an ultra-wide-angle lens that can take in a full 180 degree radius around it. Fisheye lenses are so named because they distort an image’s field of view, making even a room in a house look like a bubble.

— tilt shift lens
A tilt shift lens distorts perspective, making things look smaller than they really are — almost as if they are toys.

— infrared lens
These lenses play with light rather than perspective, filtering out all light waves except infrared for a unique visual effect.

5. Choose the correct item.

The components of a camera

aperture — диафрагма

camera body — корпус камеры

display — дисплей

flash — вспышка

flash mount — крепление для вспышки

gimbal — стабилизатор для камеры

lens mount — крепление для объектива

lens release button — кнопка отсоединения объектива

light meter — фотоэкспонометр

main dial — диск режимов фотоаппарата, селектор режимов

neck strap — ремешок для камеры

neck strap lug — место крепления ремешка для камеры

shutter — затвор

shutter release button — кнопка спуска затвора

tripod stand — штатив

viewfinder — видоискатель

zoom ring — кольцо зуммирования объектива

6. Fill in the gaps the words and expressions.

1. Using manual mode isn’t all guesswork — a ________________________ built into the camera helps guide those decisions, indicating if the camera thinks the image is over or under exposed. Metering is actually based on a middle gray, so having lighter or darker objects in the image can throw the metering off a little bit. Metering modes indicate how the meter is reading the light.

2. _______________________________ — press it to take the picture.

3. You probably know that the _______________________________ is a burst of light. Normally, it fires at the beginning of the photo.

4. ___________________________________ is the size of the opening in the lens. Think of the lens as a window: large windows let in more light, while small windows let in less light.

5. That’s the hole you look through to take the picture. Some digital cameras don’t have one and just use the screen, but all DSLRs and most mirrorless cameras use them. Certainly, it’s a ______________________________.

Photography Terminology

7. Match.

1. autofocus             a. режим серийной съёмки

2. overexposed        b. шум

3. underexposed      c. затемненный, недосвеченный

4. noise                    d. соотношение сторон

5. burst mode          e. глубина резкости

6. manual mode       f. ручной режим

7. aspect ratio          g. автофокус

8. depth of field       h. засвеченный, пересвеченный

NOISE — шум
Noise is simply little flecks in an image, also sometimes called grain. Images taken at high ISOs have a lot of noise, so it’s best to use the lowest ISO you can for the amount of light in the scene.

BURST MODE — режим серийной съемки

You can take photos one at a time. Or, you can turn the burst mode on and the camera will continue snapping photos as long as you hold the button down, or until the buffer is full (which is a fancy way of saying the camera can’t process any more). Burst speeds differ based on what camera you own, some are faster than others. Just how fast is written in «fps» or frames (pictures) per second.

MANUAL CONTROL/MODE — ручной режим

Manual mode allows the photographer to set the exposure instead of having the camera do it automatically. In manual, you choose the aperture, shutter speed and ISO, and those choices affect how light or dark the image is. Semi-manual modes include aperture priority (where you only choose the aperture), shutter priority (where you only choose the shutter speed) and programed auto (where you choose a combination of aperture and shutter speed together instead of setting them individually). Manual can also refer to manual focus, or focusing yourself instead of using the autofocus.

ASPECT RATIO — понятие в фотографии, характеризующее формат изображения. Соотношение сторон экрана или oтношение ширины кадра к высоте.

If you’ve ever printed images before, you’ve probably noticed that an 8 x 10 usually crops from the original image. That’s due to aspect ratio. Aspect ratio is simply the ratio of the height to width. An 8 x 10 has an equal aspect ratio to a 4 x 5, but a 4 x 7 image is a bit wider. You can change the aspect ratio in your camera if you know how you’d like to print your image, or you can crop your photo when you edit it to the right ratio.

DEPTH OF FIELD — глубина резкости пространственного изображения; объёмность поля зрения.

It’s the distance between the nearest and furthest elements in a scene that appear to be «acceptably sharp» in an image. Depth of field is a photography term that refers to how much of the image is in focus. The camera will focus on one distance, but there’s a range of distance in front and behind that point that stays sharp — that’s depth of field. Portraits often have a soft, unfocused background — this is a shallow depth of field.

ISO — это светочувствительность фотокамеры к свету.

The ISO determines how sensitive the camera is to light. For example, an ISO of 100 means the camera isn’t very sensitive — great for shooting in the daylight. An ISO 3200 means the camera is very sensitive to light, so you can use that higher ISO for getting shots in low light. The trade off is that images at high ISOs appear to be grainy and have less detail. ISO is balanced with aperture and shutter speed to get a proper exposure.

EXPOSURE — экспозиция

Exposure is how light or dark an image is. An image is created when the camera sensor (or film strip) is exposed to light — that’s where the term originates. A dark photo is considered underexposed, or it wasn’t exposed to enough light; a light photo is overexposed or exposed to too much light. Exposure is controlled through aperture, shutter speed and ISO (more on those last two in a bit). Exposure is also subjective — there is no «right» exposure.

EXPOSURE COMPENSATION — коррекция экспозиции, компенсация экспозиции, экспокоррекция.

Exposure compensation is a way to tell the camera that you’d like the exposure to be lighter or darker. Exposure compensation can be used on some automated modes and semi-automated modes like aperture priority. It’s measured in stops of light, with negative numbers resulting in a darker image and positive ones creating a brighter shot.

BOKEH — боке, размытость, нечеткость.

Bokeh is the orbs created when lights are out of focus in an image. It’s a neat effect to have in the background of a photo, created through wide apertures.

FLASH SYNC — синхронизация фотовспышки, согласование моментов срабатывания фотовспышки и затвора фотоаппарата, необходимое для полноценного экспонирования импульсным освещением фотосенсора.
Синхронизация может осуществляться вручную или автоматически.

You probably know that the flash is a burst of light — flash sync determines when the flash fires. Normally, the flash fires at the beginning of the photo, but changing the flash sync mode adjusts when that happens. The rear curtain flash sync mode, for example, fires the flash at the end of the photo instead of the beginning.

HOT SHOE — разъем на фотоаппарате для электрического присоединения аксессуаров.

Hot shoe is the slot at the top of a camera for adding accessories, like the aptly named hot shoe flash. This has nothing to do with footwear, or temperature.

RAW — формат цифровых файлов изображения, содержащий необработанные данные об электрических сигналах с фото матрицы цифрового фотоаппарата. Название англ. ’raw’, т.е. «сырой» такие файлы получили потому, что они не обработаны.

RAW is a file type that gives the photographer more control over photo editing. RAW is considered a digital negative, where the default JPEG file type has already been processed a bit. RAW requires special software to open, however, while JPEG is more universal.

WHITE BALANCE — баланс белого.

Your eyes automatically adjust to different light sources, but a camera can’t do that — that’s why sometimes you take an image and it looks very blue or very yellow. Using the right white balance setting will make what’s white in real life actually appear white in the photo. There’s an auto white balance setting, but like any automatic setting it’s not always accurate. You can use a preset based on what light you are shooting in like sun or tungsten light bulbs, or you can take a picture of a white object and manually set the white balance.

8. Translate.

1. фокус, фокусироваться     a. overhead  light

2. выравнивающий свет        b. accent light

3. рисующий свет                  c. resolution

4. разрешение                       d. focal length

5. выдержка                           e. hard light

6. фокусное расстояние         f. background light

7. точечный свет                    g. focus

8. фоновый свет                     h. soft light

9. мягкий свет                         i. key light

10. жёсткий свет                     j. fill light

11. верхний свет                    k. shutter speed

FOCUS — фокус, фокусироваться

When your eyes focus on an object that’s close to you, the objects far away will appear blurry.

The common photography term «focus» has the same meaning. Something that is in focus is sharp, while an object that is out-of-focus isn’t sharp. Different focus areas determine if the camera is focusing on multiple points or one user-selected point.

Словосочетания:

to bring smth into focus — навести на резкость, сфокусировать

focus control — регулировка фокуса

ACCENT LIGHT — точечный акцентирующий свет; направленное освещение; акцентирующий свет.

The directional lighting, the task of which is to highlight details or the whole object to attract the attention to them.

BACKGROUND LIGHT — фоновый свет

A background light is used to illuminate the background area of a set.The background light will also provide separation between the subject and the background.

KEY LIGHT — рисующий свет.

The key light is the most important light in the range of lights.

SHUTTER SPEED — скорость срабатывания фотографического затвора.

The shutter is the part of the camera that opens and closes to let light in and take a picture. The longer the shutter stays open, the more light that is let in. But, anything that moves while the shutter is open will become a blur, and if the entire camera moves while the shutter is open the whole image will be blurry — that’s why tripods are necessary for longer shutter speeds.

Angle, focus

9. Find the definitions of the expressions.

1. a (n) eye/shoulder/hip/knee/ground level shot

2. a low/high angle shot

3. a birds-eye-view shot, overhead shot, an aerial shot

4. a dutch angle shot, a dutch tilt shot

5. a pan shot, panning

6. a tilt shift shot

a. panoramic shooting

b. shooting from a lower / upper point

c. shooting with a blocked horizon

d. taking a bird’s eye view

e. shooting a vertical panorama

f. shooting from eye/shoulder/hip/knee/ground level

Add these words to your vocabulary list, if necessary.

close-up — крупный план

cowboy shot — второй средний план

full shot — ростовой план

long shot — дальний план

wide shot — общий план

medium close-up — средний крупный план

medium full shot — средний ростовой план

extreme close-up — детальный план

extreme wide shot — предельно общий план

10. Fill in the gaps.

soft / deep / out-of / in / rack / pull / front / shallow / back

1. _________-focus (adj.) — в фокусе, четкий

2. _________-focus (adj.) — не в фокусе, нечеткий

3. _________ focus — глубокий фокус

4. _________ focus — неглубокий фокус

5. _________ focus — мягкий фокус

6. _________ focus — бэк-фокус

7. _________ focus — фронт-фокус

8. to ____________ focus — держать в фокусе

9. to ___________ focus — переводить фокус

11. Fill in the gaps.

— bokeh

— RAW

— flash sync

— exposure

— white balance

— hot shoe

— ISO

— exposure compensation

1. The ____________________ determines how sensitive the camera is to light.

2. ______________________ is how light or dark an image is.

3. ________________________________________ is a way to tell the camera that you’d like the exposure to be lighter or darker. It can be used on some automated modes and semi-automated modes like aperture priority.

4. ____________________ is created when lights are out of focus in an image. It’s a neat effect to have in the background of a photo, created through wide apertures.

5. You know that the flash is a burst of light — __________________________ determines when the flash fires.

6. ______________________________ is the slot at the top of a camera for adding accessories.

7. ______________________ is considered a digital negative, where the default JPEG file type has already been processed a bit. It requires special software to open, however, while JPEG is more universal.

8. Your eyes automatically adjust to different light sources, but a camera can’t do that — that’s why sometimes you take an image and it looks very blue or very yellow. Using the right __________________________ setting will make what’s white in real life actually appear white in the photo.

12. Look at the photos and describe them. Angle? Focus?

Photography Slang Words

ATGNI — All The Gear, No Idea. Многие считают, что для того, чтобы стать профессиональным фотографом, достаточно купить самое новое и самое дорогое оборудование. Таких людей и называют ATGNI.

Bottletop — так фотографы называют дешевые некачественные линзы для объектива.

Chimping — вы толпитесь вокруг дисплея, чтобы посмотреть, как вышло фото — как обезьянки, сгрудившиеся вокруг еды.

Belfie — фотоснимок, получаемый фотографированием крупным планом ягодиц или своего бюста. Слово является производным от selfie и buttocks (ягодицы) или boobs (бюст).

Blower — телефон

Blown out — пересвеченный

Bracketing — автовилка, вилка, брекетинг (функция, которая позволяет делать серию снимков с различными настройками)

Brick — огромный телефон

Camping — привычка слишком часто смотреть на дисплей, проверяя фотографии

Glass — объектив

Gobo — гобо (трафарет, который помещают в переднюю часть профессионального светового прибора для придания лучам заданной формы или узора)

Groupie — групповое селфи

Hot spot — точка доступа Wi-Fi

Lens flare — блик

Nifty Fifty — объектив 50 мм

Pap — тайком фотографировать знаменитостей

Paparazzi — папарацци

Phablet — смартфон с очень большим экраном

Photobomb — фотография, случайно или намеренно испорченная присутствием в кадре постороннего предмета или человека.

Selfie — фотоавтопортрет, селфи

Shutterbug, shutter nutter — тот, кто фотографирует всё подряд

SOOC (straight out of camera) — неотредактированное фото

Uncle Bob — Эту фразу часто используют свадебные фотографы. Дядя Боб — это гость, который приходит со своей собственной (очень модной и навороченной) камерой, мешает, читает лекции фотографу, как все должно быть сделано.

UNIT 2.
BIOGRAPHY

Looking inside

13. Answer the questions.

1. What is your current role?

2. What are your areas of expertise? (Do you spealize in a particular genre or do you cover a whole range of photography styles?)

3. Who is your client? Describe who they are. (What is the average age? Where are they located?)

4. What are your potential clients looking for? What services can you do for your clients?

5. What value can you provide your clients?

6. How would those that know you describe your best qualities?

7. What makes you stand out from other photographers? (Why are people going to spend money on your products and services?)

14. Read the text. What words and expressions can be useful for you?

I’m a portrait photographer. I don’t want to limit myself to be just a baby photographer. When I say ’portrait photographer’ that’s quite broad so in my bio I say that I am a portrait photographer and I specialize in the art of newborn photography. A lot of people might take beautiful photographs but when I look at my work I know that I sell the experience. I know that I create an IMPECCABLE experience so I focus on that. I believe that my clients will remember this experience forever.

Writing a bio page for your website

Why do you need a bio page?

Bio pages are just as important in the world of photography as they are anywhere, and in a lot of cases, they can really clinch the deal. When someone’s hiring you to take their wedding photos, for example, they want to know they’ve found someone that will put them at ease. If you have a bio that’s welcoming, personable, and easy to connect with, people are going to want to do business with you. This is what a bio page is for, and it’s why you cannot afford to go another day without one.

Look at some bios.

Carrie Mason, of CM Photographs, found her true love in landscape and travel photography. She travels as often as possible making visual memories of moments in time. Knowing not everyone is blessed with seeing these sights in person, she decided to share her work with the world. Carrie eschews fancy, expensive and cumbersome equipment, so her talent shines in spite of it, capturing images with a semi-pro camera and basic editing software. Locally, Carrie’s photographs have been accepted into juried shows at Columbia Art League. A photo of jonquils entitled «First Date» received a People’s Choice Award in an online ViewBug Challenge, voted on by over 13,000 people. She is currently working to place her photographs in art galleries in central Missouri.

Owner & Photographer: Maria Dan

I am a natural light photographer with a unique artistic style and a love for candid captures! I specialize in portraits for families, couples, maternity sessions, pets, and styled model and senior photos. I dabble in wedding, boudoir, and studio work, as well, so don’t be afraid to ask for something outside of the box! Located in New York and serving surrounding areas. I am also willing to travel! My personal goal is to preserve time. Make memories stay put! Gaze upon a moment and feel the raw emotions! And I want to do that for you. Contact me now at md@gmail.com or via the contact page. Thanks for stopping by! xx