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Оглавление - Conceptual Thinking in Piano Playing
Technique and Style
- PART I. STYLE CHARACTERISTICS OF THE PERFORMANCE OF POLYPHONIC MUSIC OF THE 18TH CENTURY (J.S. BACH)
- CHAPTER I. THE METHOD OF FORMATION OF AN IMAGE-REPRESENTATION WHILE WORKING AT TWO-PART POLYPHONIC WORKS. J.S. BACH
- J.S. BACH. 15 two-part inventions
- Section I. INVENTIONS WITH FEATURES OF TOCCATA IN THE CHARACTER OF PERFORMANCE
- §1. INVENTION in C Major, No.1
- §2. INVENTION in D Minor, No. 4
- §3. INVENTION in E-Flat Major, No. 5
- §4. INVENTION in F Major, No. 8
- §5. INVENTION in A Major, No. 12
- Section 2. INVENTIONS OF THE LYRICO-PHILOSOPHICAL CHARACTER
- §1. INVENTION in C Minor, No. 2
- §2. INVENTION in F Minor, No. 9
- §3. INVENTION in G Minor, No. 11
- §4. INVENTION in A Minor, No. 13
- §5. INVENTION in B Minor, No. 15
- Section 3. INVENTIONS WITH DANCE FEATURES IN THE CHARACTER OF PERFORMANCE
- §1. INVENTION in D Major, No. 3
- §2. INVENTION in E Major, No. 6
- §3. INVENTION in E Minor, No. 7
- §4. INVENTION in G Major, No. 10
- §5. INVENTION in B-Flat Major, No. 14
- CHAPTER 2. METHOD OF IMAGE-REPRESENTATION FORMATION IN THE WORK AT POLYPHONIC COMPOSITIONS. J.S. BACH. PRELUDES AND FUGUES (WTC, VOLUME I).
- Section 1. SCHEME-MODEL OF IMAGE-REPRESENTATION FORMATION IN WORK AT POLYPHONIC COMPOSITIONS
- §1. IMAGE-REPRESENTATION AND EMOTIONS
- §2. SOUND IN IMAGE-REPRESENTATION
- §3. INTONATION IN IMAGE REPRESENTATION
- §4. BALANCE OF SEVERAL PARTS IN IMAGE-REPRESENTATION
- §5. SPATIAL SOUND INTERRELATIONS WHEN FORMING THE INTEGRITY OF A SECTION
- §6. INTEGRITY OF THE IMAGE-REPRESENTATION
- §7. ORGANIZATION OF MENTAL ACTIONS AS A BASIS OF PURPOSEFUL FORMATION OF IMAGE-REPRESENTATION
- Section 2. J.S. BACH. PRELUDES AND FUGUES (WTC), Volume I, No. 1, 2
- §1. PRELUDE and FUGUE in C Major
- Prelude I in C major
- Fugue I in C major
- §2. PRELUDE and FUGUE in C Minor
- Prelude II in C Minor
- Fugue II in C Minor
- PRACTICAL PIECES OF ADVICE FOR INDIVIDUAL WORK
- PART II. STYLISTIC FEATURES OF CLASSIC SONATA PERFORMANCE
- CHAPTER I. THE METHOD OF FORMING AN IMAGE-REPRESENTATION IN THE WORK AT A CLASSICAL SONATA
- Section 1. VIENNA CLASSICS
- §1 J. HAYDN. SONATA in E Major, No. 15
- Movement I. Moderato
- Movement II. Minuet
- Movement III. Presto
- §2. L. Van BEETHOVEN. SONATA in G Major, Op. 49 No. 2
- Movement I. Allegro ma non troppo
- Movement II. Tempo di Menuetto
- §3. W. A. MOZART. SONATA in C major K No. 330
- Movement I. Allegro moderato
- Movement II. Andante cantabile
- Movement III. Allegretto
- PRACTICAL ADVICE FOR INDIVIDUAL WORK
- PART III. STYLISTIC FEATURES OF PERFORMANCE OF THE ROMANTIC MUSIC
- CHAPTER 1. THE METHOD OF FORMATION OF IMAGE-REPRESENTATION IN THE WORK AT A ROMANTIC PIECE
- Section 1. EUROPEAN ROMANTIC MUSIC
- §1. I. BRAHMS. WALTZ in E Major, Op. 39 No. 2
- §2. R. SCHUMANN «A WOEFUL PREMONITION» (Album Leaves, Op. 124 No. 2)
- §3. F.CHOPIN. NOCTURNE in F Major, Op.15 No.1
- Section 2. RUSSIAN MUSIC
- §1. P. TCHAIKOVSKY. «NEAPOLITAN SONG» Children’s Album, Op. 39
- §2. A.SCRIABIN. ALBUM LEAF, Op. 45 No. 1
- §3. S. RACHMANINOFF. ÉTUDE-TABLEAU (A STUDY-PICTURE) in G Minor, Op.33 No. 5
- PART IV. STYLE CHARACTERISTICS OF THE PERFORMANCE OF MUSIC OF THE XX AND XXI CENTURIES
- CHAPTER I. THE METHOD OF FORMATION OF IMAGE-REPRESENTATION IN THE WORK AT A MODERN PIECE
- Section 1. EUROPEAN MUSIC OF THE XX — XXI CENTURIES
- §1. B. BARTOK. TWO SKETCHES, No.6 and No.2 from Sketches, Op. 9 / b
- §2. K. DEBUSSY. “FOOTPRINTS IN THE SNOW” SEVEN SKETCHES PRELUDES, Book I, L.117 №6
- §3. A. SCHOENBERG. TWO LITTLE PIECES (Six Little Pieces, Op. 19)
- Section 2. RUSSIAN MUSIC OF THE XX — XXI CENTURIES
- §1. S. PROKOFIEV. TRANSIENCE, Op. 22 No. 14
- §2. R. GABICHVADZE. «TWO SKETCHES FROM THE CARTOON»
- §3. R. SHCHEDRIN. BASSO OSTINATO
- PRACTICAL RECOMMENDATIONS FOR INDIVIDUAL WORK
- CONCLUSION
- REFERENCES